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Good and Evil

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This interview was conducted on October 13, 2007 in Danny's home.

Frank A. Baldevarona: How did you get involved in the "Good and Evil" project?
Danny Bulanadi: I met with a missionary who asked me to draw small leaflets to give out to people. He asked me to draw about the Philippine settings like jeepneys, buildings, because the missionaries would go there.
 
The story was about a boy who learned about Jesus Christ from the pamphlet. I accepted the project having been from the philippines. After it was  done, the person liked the art. He liked the way I drew Philippine life accurately.
 
After he came back from missionary work in the Philippines, which included distributing the story I drew, he went back to Tennessee. Michael Pearl, the pastor of No Greater Joy Ministries, saw the artwork. And asked to meet me. I received a phone call and flew out to Tennessee with the missionary to meet Michael Pearl.
 
Michael said that he had been praying to find an artist to realize his vision of translating the Bible into comic book format. He said that I was the answer. We met more of the congregation, and planned what we would do with the book.
 
When I returned to San Francisco, I had some of the script. Through the phone and fax, Michael sent me the rest of the script. The first few pages were faxed to Michael, who gave the okay to proceed. That is how the "Good and Evil" project was born.
 
It took three years to complete all the pages. Michael's plan was to take my inked art and add grey tone to it, then translate the script into multiple languages.

Good and Evil Sample Art (Grey Tone)
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FB: The book is over three hundred pages. At the time were you involved in any other projects?
DB: I was doing part time work as a Security guard. I was completeing two pages a week. It was not your typical superhero book. I needed to find references of what the people of the time wore and how they lived.
 
FB: Did you alter the way you drew for the project?
DB: I draw superheroes in a more modern style. In "Good and Evil", I used a more traditional style like that of Nestor Redondo, because I loved the way he drew the Bible in the Philippines for Superyor Komiks. I actually used some of those for reference.
 
Also when he was still alive, he helped me to learn to better my skills. Before he died, I told him I would follow his style.
 
 
FB: Did you fully pencil the pages then ink them or did you do breakdowns then finish in ink?
DB: What I did is pencil first, then faxed them to Michael for approval or changes. I then inked the pages, then again faxed them back to Michael.

Moses parts the Red Sea
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FB: "Good and Evil" is meant to be a missionary tool to spread the Gospel throughout the world. Now it's being printed in a more traditional comic book format and in color. What are your thoughts on that?
DB: I'm very happy, because, everytime I talk to Micheal Pearl, he says that the response to it has been really good. Many people have been blessed by reading the book. They are very surprised that they can visually read the bible

Good and Evil #1 Cover
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FB: Do you consider this your Magnum Opus, your masterpiece?
DB: I do. Because the Lord lead me to this and that it will be translated to many languages to be used as a missionary tool throught the world.

FB: Are you involved in any other projects related to Good and Evil or No Greater Joy to adapt other parts of the Bible?
DB: Right now Michael Pearl and I are working on Revelations. I have just started creating the artwork for it. I've sent six pages over to Michael, who liked the pages.

Moses in Egypt
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FB: When were you saved and how did you feel about recommitiong your life to God?
DB: I was saved around 1986 and I'm a different person for it. I try to give everything to God. I try to be humble and learn to seek His will and to give Him praise for my success.

More sample pages can be found at No Greater Joy Ministries

Good and Evil Cover
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The Art of Danny Bulanadi * 408-802-4795 * FBaldeva@BulanadiArt.com
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